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Ramayan promotional poster Created by Starring Sanjay Jog Composer(s) Ravindra Jain Jaidev Country of origin India Original language(s) (primary) (minor) No. Of episodes 78 Production Executive producer(s) Subhash Sagar Producer(s) Ramanand Sagar Anand Sagar Moti Sagar Production location(s), Cinematography Prem Sagar Editor(s) Ravikant Nagaich Camera setup Running time 35 minutes Production company(s) Release Original network Original release 25 January 1987 – 31 July 1988 Chronology Followed by Ramayan is an Indian epic television series, which aired during 1987-1988, created, written, and directed. The remake of Ramayan series was again presented by Sagar Arts and which aired on in 2008. Ramayan introduced the concept of Hindu mythology to Indian Television and went on to become a cult classic, it was aired on in mid-90's. Also, it was aired on and in 2000's.
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It is a television adaptation of the ancient Indian mythological, and is primarily based on 's and '. The serial was brought to the small screen by Sagar Art Enterprises. The list of technicians is as follows: Screenplay & Dialogue - Ramanand Sagar; Special Effects - Ravikant Nagaich; Technical Advisor - Prem Sagar; Lyrics & Music - Ravindra Jain; Title Music - Jaidev; Executive Producer - Subhash Sagar; Second Unit Directors - Anand Sagar & Moti Sagar; Produced & Directed - Ramanand Sagar. The series had a viewership of 82 per cent, a record high for any Indian television series. Each episode of the series reportedly earned Doordarshan ₹40. Contents. Cast.
as /. as /. as. Sanjay Jog as. as. as.
as. as.
Rajni Bala as. as. as.
Anjali Vyas as. as. Poonam Shetty as. as /. as.
Nalin Dave as. as. Aparajita Bhooshan as. as, king of.
as Sunaina, 's wife, queen of. as Sumanta. Shyamsundar Kaalaani as /.
Vijay Kavish as / /. as Akampana. as. Rajshekhar as Jambavan. Bashir Khan as /.
Bandini Mishra as. as. Anita Kashyap as.
Shrikant Soni as Production Writing for the upon completion of the airing of the series' final episode, former bureaucrat S. Gill wrote that it was during his tenure as the secretary with the in September 1985 that he with the project. Gill added that in a letter to Sagar, he had written about the Ramayana as a subject for the television series was ideal in that it was 'a repository of moral and social values' and that its message was 'secular and universal'. He added that he had noted in the letter that Sagar's 'real challenge would lie in seeing the epic 'with the eyes of a modern man and relating its message to the spiritual and emotional needs of our age'. Gill added that he also wrote a similar letter to over the production of the series based on, and mentioned that both he and Sagar accepted to his suggestions and constituted panels of experts and scholars to conceptualize the production. The series was initially conceptualized to run for 52 episodes of 45 minutes each.
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But, owing to popular demand it had to be extended thrice, eventually ending after 78 episodes. Reception Ramayan notably broke viewership for any Indian television series during the time. It was telecast in 55 countries and at a total viewership of 650 million, it became the highest watched Indian television series by a distance. Bose, the media director of Hindustan Thompson Associates, remarked, 'The unique thing about the Ramayana was its consistency. Other programmes like and even did achieve viewership of around 80 per cent and more, on occasion. In the case of Ramayana that figure had been maintained almost from the beginning.' He added, 'Starting at around 50 per cent the 80 per cent figure was reached within a few months and never went down.'
He noted that the viewership was more than 50 per cent even in the predominantly non-Hindi speaking southern Indian States of,. He also added that the show's popularity spanned across religions and was watched by people of the faith in high numbers as well.
He mentioned that it was common among people threatening to burn down the local electricity board headquarters during a. The success of the series was documented well by the media.
Soutik Biswas of recalled that when the series was telecast every Sunday morning, 'streets would be deserted, shops would be closed and people would bathe and garland their TV sets before the serial began.' Writing for, noted, 'In villages across south Asia, hundreds of people would gather around a single set to watch the gods and demons play out their destinies. In the noisiest and most bustling cities, trains, buses and cars came to a sudden halt, and a strange hush fell over the bazaars. In Delhi, government meetings had to be rescheduled after the entire cabinet failed to turn up for an urgent briefing.' However, critics dismissed the series calling it a 'technically flawed melodrama'. Impact The telecast of Ramayan was seen as a precursor to the. Arvind Rajagopal in his book Politics After Television: Hindu Nationalism and the Reshaping of the Public in India (2000) wrote that with the series, the government 'violated a decades-old taboo on religious partisanship, and Hindu nationalists made the most of the opportunity.'
He added that it 'confirmed to the idea of Hindu awakening' and the rise of the capitalizing on this. Manik Sharma of voiced similar views in that the series 'played in the backdrop of a Hindutva shift in Indian politics, under the aegis of the (RSS) and its political outfit, the Bharatiya Janata Party (BJP). While the media and cultural commentators struggled to consider Sagar's epic one way or the other, there were some who saw it as a catalyst, even if unintended, to the turmoil that the movement resulted in.'
Regarding initial apprehensions about the series being aired by a government-owned broadcaster, its hitherto producer Sharad Dutt said that 'a lot of people within the channel's office weren't supportive of the idea to begin with. But it had no motivation with what was going on politically. The Congress was in power and it had no agenda of the sort.'
He however felt the execution was poor and remembered questioning Sagar upon watching 'the tape' if he had 'made Ramayana or '. Sharma noted that the political clout the series held could be adjudged by the fact that Sagar and (who played Rama) 'were repeatedly courted by both the Congress and the BJP to campaign for them', and that (Sita) and (Ravana) went on to become. See also. References. 20 April 2003. Retrieved 2 June 2013. ^ Bajpai, Shailaja (7 August 1988).
The Indian Express. Retrieved 14 February 2018. (8 August 1988). The Indian Express. Retrieved 14 February 2018. 'All in the (Raghu) Family: A Video Epic in Cultural Context'. In Babb, Lawrence A.; Wadley, Susan S.
Retrieved 15 February 2018. ^ Sharma, Manik (13 January 2018). Hindustan Times.
Archived from on 15 February 2018. Retrieved 15 February 2018. Biswas, Soutik (19 October 2011). Retrieved 15 February 2018. (23 August 2008).
Archived from on 2 September 2013. Retrieved 15 February 2018. Vol. 17 no. 16. 5–18 August 2000. Archived from on 14 February 2018. Retrieved 14 February 2018. Footnotes.
Karp, Jonathan and Williams, Michael. 'Reigning Hindu TV Gods of India Have Viewers Glued to Their Sets.'
The Wall Street Journal, 22 April 1998. Lutgendorf, Philip (1991). The Life of a Text: Performing the Ramcharitmanas of Tulsidas. Berkeley, California: University of California Press. Lutgendorf, Philip (1990). 'Ramayan: The Video'.
The MIT Press. 34 (2): 127–176. Lutgendorf, Philip (2006). 'All in the (Raghu) Family: A Video Epic in Cultural Context'. In Hawley, John Stratton; Narayanan, Vasudha. The Life of Hinduism. The Life of Religion.
Berkeley: University of California Press. National Endowment for the Humanities. 'Lessons of the Epics: The Ramayana'. EdSITEment Lesson Plans. Available online from (18 January 2006).
Rajagopal, Arvind (2001). External links. on.
Ramayan, based on Valmiki's Ramayan and Tulsidas's Ramcharitmanas, as well as Chakbasta's Urdu Ramayan, is an Indian television series produced by Sagar Arts which aired on NDTV Imagine. It is also partly derived from portions of Kambar's Kambaramayanam, Bhavarth Ramayan (Ramayana in Marathi), Krittivasi Ramayan (Ramayana in Bengali) by Krittibas Ojha, Shree Rangnath Ramayana (Ramayana in Telugu) by Gona Budda Reddy, Ramchandra Charit Puranam (in Kannad) by Abhinavpamp Nagchandra, Adhyatama Ramayanam (in Malyalam) by Tunjat Eluchan, Shree Anand Ramayan by Pt. Ramlagna Pandey. It is a remake of the highly successful Ramayan that was created, written, and directed by Ramanand Sagar and which aired on Doordarshan from 1987 to 1988. The show won the 'Most Promising New Show of the Year' award at the Indiantelevision.com's New Talent Awards.
In addition to this, Gurmeet Choudhary, who played the lead role of Lord Rama won the 'Most Promising New Talent of Tomorrow' Award.