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A sitariya and scholar of classical, folk and popular arts, Garg’s unflagging passion for the journal had kept it going despite plunging readership and profits. Laxminaryan Garg, Kaka’s son and the chief editor of the magazine, passed away at age 88. In April, Sangeet was dealt a crippling blow. “I recall a time, even up to the 1980s, when it was hugely popular, selling 3,000 copies and more, and outside of India too,” said Sharan Gopal, a veteran staffer and the all-purpose manager at the karyalaya. Its annual issue was a thematic bonanza running to well over 100 pages. Journals like Sangeet – friendly, informative with an easy hotch-potch of content – once used to be keenly awaited by households.
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At Sangeet Karyalaya, a small and loyal team continues to produce the oldest surviving periodical on Indian classical music and dance.Ī small team of three is hard at work proofing the October edition of Sangeet, which features an ongoing series on the life of Kirana vocalist Hirabai Barodekar, an article on the women musicians at the erstwhile Udaipur court, a composition explaining the contours of raga Bihag, the notation for the 1956 Lata Mangeshkar hit Mat Maro Shyam Pichkari, and brief essays on the evolution of recorded music and modern kathak. The interior is quiet and delectably musty, with the smell of old and new books hanging in the air, and the walls are plastered with paintings of old masters of Hindustani classical music. In the lane dedicated to his memory, a tall, yellowing building stands apart, a board at its entrance proclaiming “Sangeet Karyalaya”. Not the pandemic, nor the fact that it is left with just 650 subscribers.
It was he who founded Sangeet in 1935 and it has been published every month without a break for 87 years. Those who witnessed the days of Doordarshan monopoly will remember his hasya kavita sessions, the punch lines delivered with a beatific grin breaking through a dramatic beard.Ī less-known fact about Hathrasi was that he was a keen connoisseur and scholar of classical music and an amateur musician too. Locals refer to Gali Gangadhar as Kaka Gali after the man who is arguably its most famous resident: humourist and poet Prabhulal Garg, better known as Kaka Hathrasi. Traffic and mayhem mark the bazar ahead and open drains line the entrance to homes whose faded grandeur shows up only in their carved doors, latticed balconies and stained-glass windows. In the heart of the city, off Mursan Gate, lies Gali Gangadhar, a lane typical of small-town Uttar Pradesh. Now its name mostly evokes memories of the horrific 2019 rape-murder. There was a time Hathras was famous across the north for its highly musical nautankis. Its home is Hathras, a city around 45 km from Mathura that is part of the Braj lore of Krishna. But, nearly nine decades after it first promised advertisers global readership, Sangeet, the oldest surviving periodical on Indian classical music and dance, is still soldiering on from a small corner of western Uttar Pradesh. It has been decades since Siam, Burma and Ceylon got new names. Rate per page Rs 15, half a page Rs 8, a quarter page Rs 4!” - ‘Sangeet’, February 1935 “Raja, maharaja, rais, hakim and hukkum, all read us.we sell in Burma, Ceylon, Africa, Fiji and Siam. Ramachandra Guha: On the 20th anniversary of the Gujarat pogrom, will Modi finally apologise?.The big news: Maharashtra reports huge spike with over 18,000 Covid cases, and 9 other top stories.
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